William Miquel creates black-and-white photographs, incorporating narrative and distilling each image to its essential form. Miquel’s working method is an attempt to make sense of the unseen — to translate purity, refinement, and spiritual formation into a single image. “Art allows me to depict and document psychology, philosophy, and spirituality in modern minimalist, conceptually rich worlds with their own mythology,” he says.

His works, like Mawaddah (2024), read as a private covenant under uncertainty: two Egyptian geese, an overlapping silhouette, darkness around them. “My work is like a mirror,” Miquel says. “It reflects your inner world back at you.”